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Scott (180 Gram Vinyl) | 
 enlarge | Artist: Scott Walker
Label: 4 Men With Beards
Category: Music
New (5) Used (1) from $17.95
Rating:  6 reviews
Sales Rank: 302605
Media: LP Record
Discs: 1
Shipping Weight (lbs): 0.6
Dimensions (in): 12.3 x 12.1 x 0.2
UPC: 646315114911
EAN: 0646315114911
ASIN: B0010VD7BM
Release Date: December 7, 2007
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| Tracks:
| • | Mathilde - Scott Walker, Brel, Jacques | | • | Montague Terrace (In Blue) - Scott Walker, Walker, Scott [1] | | • | Angelica - Scott Walker, Mann, Barry | | • | The Lady Came from Baltimore - Scott Walker, Hardin, Tim | | • | When Joanna Loved Me - Scott Walker, Segal, Jack | | • | My Death - Scott Walker, Brel, Jacques | | • | The Big Hurt - Scott Walker, Shanklin, Wayne | | • | Such a Small Love - Scott Walker, Walker, Scott [1] | | • | You're Gonna Hear from Me - Scott Walker, Previn, Andre | | • | Through a Long and Sleepless Night - Scott Walker, Gordon, Mack | | • | Always Coming Back to You - Scott Walker, Walker, Scott [1] | | • | Amsterdam - Scott Walker, Brel, Jacques |
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| Editorial Reviews:
Product Description
One of the most enigmatic figures in pop music history Scott Walker (nee Scott Engel) first saw massive success in England with his band The Walker Brothers in 1965. Following the group's demise in 1967 Walker set out to pursue solo stardom in perhaps the most peculiar way possible, with over-the-top baroque pop songs owing more to his idol Jacques Brel, Tony Bennett and Frank Sinatra than they did to the Beatles or the Stones. This is his first solo LP from 1967 and features 3 of his own compositions along with covers of songs by Brel, Tim Hardin, and the Brill Building team of Cynthia Weil and Barry Mann. A true original. Deluxe 180 gram vinyl reissue.
Album Description
Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. 2007.
Album Details
Japanese Limited Edition Issue of the Album Classic in a Deluxe, Miniaturized LP Sleeve Replica of the Original Vinyl Album Artwork.
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| Customer Reviews: Read 1 more reviews...
 Incredible! July 15, 2007
2 out of 2 found this review helpful
"Incredible!" was the only word I could find to decribe the genius of Scott Walker's music. This is "Scott", also known as Scott 1, his first solo record which was released in 1967. Most people say this album is somewhat weaker than the rest, mostly due to MOR covers but Scott 1 still packs quite a punch with three Walker originals, and three Jacques Brel covers...My Death, Mathilde, and the classic Amsterdam. Walker's Brel covers are definitly the definitive English versions. The stunning, intentionally overblown arrangements by Wally Stott, Reg Guest and Peter Knight are sublime, combined with Scott's intriguing lyrics and deep baritone (with perfectly controlled vibrato) voice keep me coming back for more. Scott's own Montague Terrace was preview of things to come in future albums Scott 2 and Scott 3. Scott 4 took a different approach as mentioned in other reviews. Walker's deep, introspective music isn't for everyone, but for those who do enjoy it as I do, this is the type of music you want to play on the biggest sound system at the highest possible volume, I know I do. There's so much power in this music. Five Stars.
Scott sets out his stall , but it's not for everyone August 14, 2005
12 out of 17 found this review helpful
For those that don't know , Scott was in a very popular band called the Walker Brothers , who didn't do anything controversial . Scott made up for that when he began releasing records under his own name .
You will read a lot of reviews about Scott that make him out to be super duper . He was a singer who took a lot of chances lyrically and I'm sure some people hate him .
He made people confront things and addressed strange , disturbing or ambitious topics in a very listenable voice .
His first album shows you what to expect - to hear just the orchestral arrangements for his songs are sometimes overwhelming - that's without his singing !
You will know after the first song if you like it or not .
Scott is a singer songwriter but nothing like what you consider that description to usually mean .
His music appeals to the young , alienated or introspective and will show that a whole other side of 60's music existed .
It's not party music .
For me , there's life before you hear him and life after .
He is good for making you feel uncomfortable but somehow glad that you can feel or understand his message .
He does some well known showbiz tunes on this record , then gets you in the gut with one of his own songs to bring you back to reality .
If you buy this record , you will hear a great voice , but you may not like the lyrics . If it touches you however , you will be forever affected .
If you are affected , then move on to albums entitled SCOTT 2 , 3 and 4 .
Memorable March 8, 2004
9 out of 15 found this review helpful
En este disco, aparece la figura de S. Engel como uno de los mejores interpretes de la historia del pop. Es un disco enorme, donde predominan las versiones sobre las composiciones propias (algo que cambia a partir de Scott 3); versiones de Jacques Brel fantasticas como Amsterdam o Mathilde; Tim Hardlin, The Lady Came From Baltimore o Angelica de Weil/Mann. De entre sus composiciones destacar la maravillosa Montague Terrace (In Blue).
Si bien este disco es excelente, el repertorio estupendo y la interpretacion fabulosa, no llega a las cotas de emotividad de Scott 3, para mi su cumbre y mas personal e irrepetible disco. 4'5 para este disco que no decepcionara a nadie
a genre of his own October 21, 2002
10 out of 16 found this review helpful
This cd blew my top. What we have here is a unique mix of Mike Flowers Pops-style BIG orchestra music with lyrics more like Lou Reed.
Some people accept Scott Walkers powerful songs, but complain that the "flatulence" of the bombastic arrangement "drowns" the songs. It must, however, be remembered that the arrangements are Scott Walker's own. No evil producer at work here, this is the way he felt his songs should be presented. Those who cry for simple man-and-guitar/piano arrangements misunderstand him.
All Scott Walkers 60's albums are similar to this and highly recommended, only Scott Walker 3 is a bit weaker.
Parallel Universe June 16, 2000
30 out of 31 found this review helpful
Listening to Scott Walker's first solo album more than three decades after its appearance is like entering a parallel universe. Those of us in America who know the Walker Brothers from pop hits like "The Sun Ain't Gonna Shine" and "Make It Easy on Yourself" may be forgiven if we are late to appreciate the genius of their lead singer, born Scott Engel right here in Hamilton, Ohio. His first album was a big hit in England, but it never caught on Stateside. Revel in it now. Scott has often been named the definitive interpreter of Jacques Brel, and here he proves his mettle on classics such as "Mathilde," "My Death," and "Amsterdam." In addition he pays homage to Tony Bennet with "When Joanna Loved Me" and tips his hat to Toni Fisher with a soulful updating of "The Big Hurt." From Vegas to Broadway, he hits the musical heights, without ever resorting to imitation or parody. And, if that weren't enough, he also writes--gorgeously. Consider the baroque architechtonics of what is arguably his masterpiece, "Montague Terrace," where grandeur and pathos blend in a seamless musical tapestry. Underscoring it all is Scott's voice, an exquisite instrument without equal in the pantheon of pop music. Like a reluctant Prometheus, he stands above us lesser mortals and bemoans the vanities that alienate us, one from the other, all in a brooding, perfectly modulated baritone. Consider the poignancy of these words from Scott's self-penned "Such a Small Love": "He speaks, I don't hear a word he's saying, / Hang on to the pine trees and the snow; / Reach out, grab the memories that are left for your hand, / They'll help you get by for a while." Take a trip back in time and enter this parallel world. Your ears will thank you.
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