|
The Lord of the Rings: The Two Towers | 
 enlarge
| Artists: Howard Shore, Isabel Bayrakdarian (soprano)
Label: Warner Bros UK
Category: Music
Buy New: $30.98
New (48) Used (43) Collectible (3) from $3.87
Rating:  192 reviews
Sales Rank: 1334
Format: Enhanced, Soundtrack, Import
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
MPN: 48379
UPC: 093624837923
EAN: 0093624837923
ASIN: B00007BH5C
Release Date: January 13, 2008
Shipping: Eligible for Super Saver Shipping
Availability: Usually ships in 24 hours
| |
| Tracks:
| • | Foundations Of Stone | | • | The Taming Of Smeagol | | • | The Riders Of Rohan | | • | The Passage Of The Marshes | | • | The Uruk-hai | | • | The King Of The Golden Hall | | • | The Black Gate Is Closed | | • | Evenstar - featuring Isabel Bayrakdarian | | • | The White Rider | | • | Treebeard | | • | The Leave Taking | | • | Helm's Deep | | • | The Forbidden Pool | | • | Breath Of Life - featuring Sheila Chandra | | • | The Hornburg | | • | Forth Eorlingas - featuring Ben Del Maestro | | • | Isengard Unleashed - featuring Elizabeth Fraser & Ben Del Maestro | | • | Samwise The Brave | | • | Gollum's Song - performed by Emiliana Torrini |
|
| Editorial Reviews:
Amazon.com
Howard Shore's music for the massively successful first film chapter of Tolkien's Ring saga won him the Oscar for Best Original Score, something of a surprise given the music's ambitious scale and determinedly dark overtones, factors that handily blurred the line between typical film fantasy music and accomplished concert work. Its sequel takes the same, often Wagnerian-scaled dramatic tack, following the film's story line into even more brooding and ominous dark corners. The previous film's Hobbit-inspired pastoralism is supplanted here by rich ethnic textures that expand the musical scope of Middle-earth and the World of Men; the Hardanger, a Norwegian fiddle, represents the Rohan and the North African rhaita colors the Mordor theme, while log drums, dilruba, wood xylophone, and cimbalon add intriguing textures elsewhere. The score's looming orchestral clouds are brightened by Shore's masterful choral writing, which infuses ancient liturgical influences with various solo turns by Isabel Bayrakdarian, indie-pop star Sheila Chandra, Ben Del Maestro, and Elizabeth Fraser. "Gollum's Song," the composer's concluding collaboration with lyricist Fran Walsh, is delivered with Bjoerkish, postmodern angst by Emiliana Torrini, and helps punctuate the story's modern sense of allegory. --Jerry McCulley
|
| Customer Reviews: Read 187 more reviews...
 Dare I say the finest portion of this century's finest classical work? October 23, 2008
This orchestral score accompanies Peter Jackson's second serving of J.R.R. Tolkien's epic Lord of The Rings trilogy, The Two Towers. To many, including me, The Two Towers was the most interesting book and the most enthralling film, and the music has something to do with how tense and action packed the movie was. This is where hell breaks loose, and the music indicates as much. Most of the songs sway between quiet, mysterious movements and loud, dark, sweeping, full orchestra explosions at the drop of a feather. This keeps the score tense, progressive, and effective.
On one hand, the listener will hear many versions of the main Lord of The Rings themes that they have already been spoon fed hundreds of times before and probably won't need to hear again. The Taming Of Smeagol, The Riders of Rohan, and The King of The Golden Hall are in this way songs that you may want to skip simply because you can already hum along to them. But even these songs carry the same urgency and sense of destruction that most of the movie communicated. This keeps even the familiar melodies rather fresh. But for the most part, the listener will most likely find the most enjoyment in the songs they don't already know.
What Howard Shore has done here is craft an aural experience just as distinct as the visual and fictional experiences that it accompanies. There is a tint of Gaelic spirit in most every song, which adds to the overall coherency of the score. There are some songs meant to accompany the tense action scenes, such as The Uruk-Hai and Helm's Deep, that do their damage very well, and recreate the dismal aura of Sauron's lackeys.
When Tolkien created his books, he pushed his creative boundaries and created not just a series of books around his characters and events, but also a world. He wrote his own languages with their own phonetics, grammar, and vocabulary, and these languages are utilized here in several songs by accompanying soloists, as well as by booming female choruses. Isabel Bayrakdarian and Sheila Chandra sing exceptionally on Evenstar and Breath of Life respectively. But the real winner is, get ready, Liz Fraser appearing on Isengard Unleashed. Fraser has honed vocal emoting for decades using a language of angelic babel on her own, making her the most appropriate vocalist for this score. Her appearance, no matter how short, is deeply appreciated, and a bittersweet reminder that one of the worlds greatest singers still has her talent completely in tact after years of inactivity. There is some English singing on the closing Gollum's Song by Emiliana Torrini, which captures the insanity of Gollum very well.
The most memorable themes that the soundtrack has to offer are The Passage of the Marshes, The Black Gate Is Closed, Evenstar, Treebeard, The Leave Taking, Breath of Life, and Isengard Unleashed. But this is a soundtrack worth picking up for it's entirety. If you enjoyed any of The Lord Of The Rings movies, or have any appreciation for orchestral music whatsoever, you will really get a lot from this soundtrack, and really all of the Lord Of The Rings soundtracks. Don't lie to yourself. Just because The Lord of The Rings has an army of ridiculous fanatics to back it up does not mean it is not quality literature. This soundtrack does great justice to the second Lord of The Rings film, which does great justice to the original book.
How could you not love this? August 10, 2008
This is a great work by Howard Shore. Its the darkest movie in the trilogy and this soundtrack portrays that. The Rohan pieces are inspiring because you can sense the themes of 'hope in hopelessness' and helps you to remember that God can and will help you when all seems lost; He is the Savior.
 Great Music, Annoying Presentation April 24, 2008
0 out of 1 found this review helpful
Orchestral music enthusiasts who enjoy cinematic scores will, predictably, enjoy Howard Shore's composition for The Lord of the Rings: The Two Towers and the other scores in this series as well. Of the three CDs, The Two Towers does I think show us the greatest range of Shore's thematic elements used in the eponymous movies. This CD is comprised of music incidental to scenes set in Rohan, Fangorn's Forest, and the approaches to Mordor, but it is the Meduseld/Theoden themes that "stay with you" well after the soundtrack ends.
The CD does, however, have a major presentation flaw. When played in a computer, there is an autostart web-link that impedes listening. You have to work around the web link in order to merely play the music. The link is nothing other than a garden variety in your face advertisement, and a solicitiation to join their website and otherwise provide them with information that will presumedly be used as an excuse to annoy you with MORE advertising.
Gorgeous! February 14, 2008
I love how this soundtrack is different from the first film's, yet, you can definietely tell that they are part of the same film. It flows so well. The music ranges from soothing to dark and powerful. Its a wonderful CD to listen to. I love 'Gollum's Song'. Its so dark and spooky sounding. Its a great way to end the CD. If you love the movie, you must get the CD.
great series of soundtracks for the classical geek November 5, 2007
I personally loved the movies, and they job they did in compiling a soundtrack was surprisingly good. They edited the aspects of the tracks to make a 3 series soundtrack that you can enjoy from start to finish. thats right, just pop it in, hit play, and let it go. A+ for me
|
|
|
Copyright 2006 - CD Shopper | |
