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Blood on the Tracks | 
enlarge | Artist: Bob Dylan Label: Sony Category: Music
List Price: $13.98 Buy New: $8.97 You Save: $5.01 (36%)
New (42) Used (19) from $4.99
Rating: 46 reviews Sales Rank: 656
Format: Original Recording Remastered Media: Audio CD Discs: 1 Shipping Weight (lbs): 0.2 Dimensions (in): 5.6 x 5 x 0.5
MPN: 92398 UPC: 827969239827 EAN: 0827969239827 ASIN: B00026WU7I
Release Date: June 1, 2004 Shipping: Eligible for Super Saver Shipping Promotion: Save $5.00 when you spend $25.00 or more on Qualifying Items offered by Amazon.com. Enter code BMLSAVES at checkout. Terms and Conditions Availability: Usually ships in 24 hours
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| Tracks:
| • | Tangled Up In Blue | | • | Simple Twist Of Fate | | • | You're A Big Girl Now | | • | Idiot Wind | | • | You're Gonna Make Me Lonesome When You Go | | • | Meet Me In The Morning | | • | Lily, Rosemary And The Jack Of Hearts | | • | If You See Her, Say Hello | | • | Shelter From The Storm | | • | Buckets Of Rain |
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| Editorial Reviews:
Amazon.com Inevitably, when critics praise a new Dylan album, they label it the "best since Blood on the Tracks," and with good reason. Inspired by a crumbled marriage, and recorded after a tour with the Band had apparently re-ignited his creativity, Blood is among Dylan's masterpieces. The album's epic songs are well known, but its real high points are the shorter numbers--"You're a Big Girl Now," the flawless blues "Meet Me in the Morning," and the sweetly devastating "Buckets of Rain." These are songs of "images and distorted facts," each expressed through tangled points of view, and all of them blue. --David Cantwell
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| Customer Reviews: Read 41 more reviews...
Dylan's Peak August 27, 2008 Blood on the Tracks is Bob Dylan's artistic peak both lyrically and musically. Blood on the Tracks has aged gracefully. Dylan always gives us a sly wink, but particularly so on the autobiographical-sounding Tangled Up in Blue.
Word Mastery in Song From Mr. Dylan June 19, 2008 It seems hard to believe now both as to the performer as well as to what was being attempted that anyone would take umbrage at a performer using an electric guitar to tell a folk story (or any story for that matter). It is not necessary to go into all the details of what or what did not happen with Pete Seeger at the Newport Folk Festival in 1965 to know that one should be glad, glad as hell, that Bob Dylan continued to listen to his own drummer and carry on a career based on electronic music.
This is probably one of the strongest Dylan albums from first song to last that he ever recorded. Its virtue lies in the story-like quality of each song that, unlike some earlier unsuccessful attempts to tell a story in song, clicks here. Starting with the dream-like, forlorn tattered romance in Tangled Up In Blue that one knows can only lead to sorrow everything moves higher from there. Idiot Winds as close to knowing how Dylan will really feel in a relationship. The quietly beautiful, haunting message of If You See Her, Say Hello (`I had always respected here for getting free.'). And the finale Buckets of Rain is well done (if not as well done as Dave Van Ronk's mournful cover, well done nevertheless). If you like high symbolism, a la the French poets Rimbaud and Verlaine in your lyrics this one is for you.
Love and its loss June 16, 2008 1 out of 1 found this review helpful
This album represents the very best of Bob's mid-career output. Aaron, the eight-year-old rock critic, says that you can tell how Mr Dylan is feeling by listening to his songs. Bob was sad, he observes. He adds that Mr Dylan tells stories in his songs, and that his characters talk. I think this is very astute and an accurate description of this album. Bob sings gently and sadly on this musically beautiful record. Sweet tunes, beautiful guitar work and the incisive harmonica in the correct proportions. I must add, though, that from an adult perspective Mr Dylan in this album is feeling really sad and angry and conflicted about the death of love, and that he is characterizing his hurt and confusion in a way that makes me think of a long slow painful death of a piece of the soul, just like a stroke. And no matter how much rehabilitation occurs one is always left with some limited use that never fully recovers. I love this album but it is cold and painful to listen to the ache. Unfortunately, the tunes are positively catchy and you find yourself whistling along to a song describing wrenching loneliness. Oh Bob. I am so sorry.
Words Fail May 26, 2008 2 out of 3 found this review helpful
Every time I hear Lily, Rosemary and the Jack of Hearts -- as I did just now on the bike on a perfect NYC Memorial Day along the Hudson River (as it happens in the version by Mary Lou's Cadillac, but that's another story) -- I think it obviates the need to ever read a history of the American West. OK, that's a little overstatement, but, hey, we live in the Age of Hyperbole.
And that's just one of ten cuts on this album, each one of that caliber. I think an argument could be made that Blood marks Dylan moving from chronicler of his life and times to chronicler of American life and times, as he has become definitively with his last three albums.
In any event, this is a must for every music collection.
One of Dylans best April 15, 2008 2 out of 2 found this review helpful
I still rate this as one of Bob Dylans best albums. There isn't a dud song on the disc and these songs are very deep and emotional, they take us on a journey into love, betrayal and elsewhere.
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