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Adler Plays Syncopated Rhythms | 
enlarge | Creators: James Adler, George Antheil, Aaron Copland, George Gershwin, Louis Moreau Gottschalk, Gian Carlo Menotti, Leo Ornstein Label: Albany Records Category: Music
Buy New: $17.99
New (7) Used (2) from $12.87
Rating: 2 reviews Sales Rank: 62376
Format: Single Media: Audio CD Discs: 1 Shipping Weight (lbs): 0.2 Dimensions (in): 5.6 x 5 x 0.5
UPC: 034061101420 EAN: 0034061101420 ASIN: B0015X6R9Y
Release Date: April 22, 2008 Shipping: Eligible for Super Saver Shipping Promotion: Save $5.00 when you spend $25.00 or more on Qualifying Items offered by Amazon.com. Enter code BMLSAVES at checkout. Terms and Conditions Availability: Usually ships in 24 hours
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| Tracks:
| • | Pasquinade | | • | Three Moments from Treemonisha | | • | Selections from Nine Miniatures | | • | Little Shimmy | | • | The Ben Hecht Valses | | • | Ricercare and Toccata | | • | Prelude and Toccata | | • | Toccata No. 2 | | • | Selections from Rodeo | | • | Two Dances in One | | • | Rhapsody in Blue |
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| Editorial Reviews:
Product Description Pianist and composer James Adler made his debut with the Chicago Symphony Orchestra at the age of 16, the start of a varied career in the United States and Europe. He has appeared throughout the world at leading concert venues, including New York City s Alice Tully and Carnegie Halls. He made his London debut at the famed Wigmore Hall. Known as a pianist who can create whatever type of music he wants at the keyboard (Chicago Sun-Times), he has had particular success with his account of Gershwin s Rhapsody in Blue, the final work on this disc. His succinct description of the whole program perfectly sums it up: I wanted to prepare a CD program that is fun. Has rhythm. That is danceable. That is a little jazzy with depth and lyricism, and celebrates American traditions in music. Though not necessarily in chronological order.
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| Customer Reviews:
Bravo for James Adler's Syncopated Rhythms! July 6, 2008 I picked up this CD because I love Joplin music and I was not disappointed. As I begin my drive to work, my new habit is to put on this CD because it begins with the Joplin pieces. They are "quietly upbeat" and put me in the mood for a good day. My favorite is "A Real Slow Drag". Other than the Joplin pieces, I'll add that hearing "Hoe Down" also puts a smile on my face . . . an American classic that you just don't get to hear that often. And then there's the classic Rhapsody in Blue - James' rendition is great. The overall mix of the selections brings a nice variety of music to listen to. Well done, James!
A Fascinating Program of American Piano Music May 15, 2008 1 out of 3 found this review helpful
The program on this CD is what attracted me to it. It contains some rarely heard works by such composers as Ornstein, Antheil and Menotti as well as by the CD's pianist, James Adler. The main idea of the program is to present American piano music that partakes to some (or a large) degree of American popular music. Thus, it starts with Gottschalk and Joplin followed by such things as a delicious threesome by Leo Ornstein -- his Mazurka, Humoresque and Valse -- and moving on to what for me is the highlight of the disc, the pieces by George Antheil, the soi-disant 'Bad Boy of Music'. These pieces, unlike some of Antheil's outre works, are harmless enough but brimming with such charm that I found myself listening to them repeatedly. 'Little Shimmy' is a delight. It is followed by 'The Ben Hecht Valses', written as a gift for the journalist/filmmaker Ben Hecht ('Front Page') who had hired Antheil to write music for his films. Later on the CD is Antheil's bustling 'Toccata No. 2' which parodies 'Bringing in the Sheaves'.
The paired pieces by Menotti -- 'Ricercare' and 'Toccata' -- are a bit more academic that one expects from Menotti, but they brim with life and that inexplicable Menottian charm. Aaron Copland apparently made solo piano transcriptions of 'Saturday Night Waltz' and 'Hoe-Down' from his ballet 'Rodeo'; I had never heard them before. They are, frankly, only modestly effective in Adler's performances, possibly more a function of the transcriptions than of the performances, although it must be said that Adler's skills at the piano are competent but not as transcendent one might like. Adler himself composed 'Prelude', 'Toccata' and 'Two Dances in One' which are fun pieces.
The CD concludes with the one-piano arrangement of Gershwin's 'Rhapsody in Blue' which Adler modifies by including the original's cadenzas.
This CD is a find for those who are fascinated by obscure byways of American piano music; much heard here is not, as far as I know, available elsewhere.
Scott Morrison
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