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The Cool | 
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| Artist: Lupe Fiasco
Label: Atlantic / Wea
Category: Music
List Price: $18.98
Buy New: $13.99
You Save: $4.99 (26%)
New (58) Used (20) Collectible (1) from $6.99
Rating:  92 reviews
Sales Rank: 752
Format: Enhanced, Explicit Lyrics
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 4.9 x 0.4
MPN: 368316
UPC: 075678995996
EAN: 0075678995996
ASIN: B000WPNL8Q
Release Date: December 18, 2007
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| Tracks:
| • | Baba Says Cool For Thought | | • | Free Chilly | | • | Go Go Gadget Flow | | • | The Coolest | | • | Superstar | | • | Paris, Tokyo | | • | Hi-Definition | | • | Gold Watch | | • | Hip-Hop Saved My Life | | • | Intruder Alert | | • | Streets On Fire | | • | Little Weapon | | • | Gotta Eat | | • | Dumb It Down | | • | Hello/Goodbye (Uncool) | | • | The Die | | • | Put You On Game | | • | Fighters | | • | Go Baby |
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| Editorial Reviews:
Amazon.com
The name of Lupe Fiasco's sophomore set sounds like a Kanye-ism, and that's fitting: The Cool spills over with Mr. West-style urgency, and it's just about as smart as anything Fiasco's more flamboyant mentor has issued. It could even land Lupe a little too close to the top of the hip-hop heap for Kanye's comfort. The Cool is cool not only for its sober, clear-headed vibe -- Fiasco ponders everything from the apocalypse to poverty to the weight of worldly possessions in these songs, some of them produced with a level of sensitivity uncommon among studio tracks by Soundtrakk -- but also for its potential. Songs like "Dumb It Down," about the music industry's insistence on the same old sorry themes, burn with relatability and realness. But others go deeper. "Little Weapon," produced by Fall Out Boy's Patrick Stump, and "Intruder Alert" shape-shift customary hip-hop dialogue to let the issues of the day come sharply into focus. They make you think. Overall, The Cool is fevered, fierce, and at times furious, but so is Lupe Fiasco, and the album easily earns its spot as one of the top 10 CDs of 2007. --Tammy La Gorce
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| Customer Reviews: Read 87 more reviews...
 A Fun CD 4.5 Stars July 14, 2008
Lupe Fiasco's, The Cool, is just a fun CD to listen to. I am not a Hip-Hop expert by any means, but I like his flow and I enjoy the beats he uses. His collaborations with Michael Santos, Snoop Dogg and Sarah Green are great. When Superstar first came out, I was not a big fan of the song. The more I listened, the more I liked it and decided to give the entire cd a try after sampling all the songs on itunes. I was not disappointed. I am a big Tribe Called Quest fan and while Lupe is not in the same league as Tribe, he reminds me of them. Many of the reviewers here seem to like Lupe's first CD as much, if not better, than this one. I am excited to give a try.
 Almost a classic (4.5 stars for "The Cool") June 29, 2008
Lupe is much better on the re-up from his first album Food & Liquor. This joint flows with thought provoking and creative joints for the new millenium. What stops this album from being a classic is that it kind of falls off after Dumb It Down.
Top Joints:
Streets On Fire (Dope, reminiscent of Nas' What Goes Around(Poison)
Paris, Tokyo -
Hi Definition - This is my joint
Dumb It Down
Intruder - Dope
Go Go Gadget - Jacks Busta's flow perfectly
damn... June 26, 2008
wow. i wasn't expecting it to be this good, his first cd was sick, but this one....man...i'm speechless...
Hip-Hop at it's finest... June 21, 2008
Lupe Fiasco's "The Cool" is definitely a classic due to the fact that his lyrical content is vintage hip-hop material. It is so refreshing to hear something other than the same thing in our music such as drugs, sex, and violence. Like Common, Lupe delivers more of a poetic flow with a message behind what he's saying. Most artists these days rely on super hot beats from top notch producers to sale records but Lupe let's his lyrics do the selling for him. A true student of hip-hop, he truly upped his ranking as one of the hottest rappers in the game. If you want true hip-hop (pure lyrics) then do yourself a favor and pick up a copy of "The Cool." It is worth every cent, trust me.
The unholy trinity revealed! June 21, 2008
2 out of 2 found this review helpful
As a tremendous fan of his debut release, "Food & Liquor," I did not truly believe that any subsequent offering would in any way compare to such a monumental opus, which balanced superior intellect and aesthetic appeal (not surprising given the yin-yang evocation of balance in the title alone). How sadly mistaken I was, for "The Cool" does not merely maintain the level of quality that had been previously shown, but far surpasses it. This was the first album I purchased upon returning home from my deployment in Iraq and, hands down, it is one of the greatest musical masterpieces I have ever procured.
Perhaps one of the greatest appeals of this release, at least in my opinion, is the construct in which it is introduced: the tripartite manifestation comprising The Game, The Cool, and The Streets. While some may disagree with this assessment and, given Lupe's identification within the Islamic faith, I have no idea if such an unholy emulation was his intent, but I see this three-tiered incarnation to be profoundly and antithetically comparable to the Christian Trinity. Thus, I see The Game serving in the role of The Father, the source of power and reforming those who seek that which he provides; The Cool serving in the role of The Son, the resurrected entity who serves as the identification to those who seek reformation; and The Streets serving in the role of The Holy Spirit, which permeates all aspects of life, serving as a conduit to achieve The Cool, thereby reaching The Game. And, of course, the character of Michael Young History, which represents the struggle and reconciliation within each and every one of us, regarding the paths that lay before us and the choices we make.
Given what the hip-hop industry generally promotes as the overarching ideal, Lupe's decimation of this concept as illusory and destructive is both prophetically hopeful and yet apocalyptically cynical. And, while "Food & Liquor" introduced us to this dichotomic view, "The Cool" paints a full picture with sublime summation. The song, Streets on Fire, culminates in the clearest illustration of said picture with overwhelming passion [Note: After hearing this song for the first time, I put it on repeat for well over an hour; I sat there in a daze at what he was saying, the power of his words affected me that much].
This album, like his previous, espouses what in my mind rap is supposed to be: poetry. Thus, if you are looking for something that promotes the afore-discussed ideal generally and talentlessly promoted within the rap industry (typically comprising drugs, murder, and misogyny), then look elsewhere; Lupe is no apologist for such myopic filth. However, regardless of whether or not you are an aficionado of rap music, if you are looking for someone that promotes intelligence on a higher plane of artistic expression, something that captivates the mind and empassions the soul, then you are sure to appreciate "The Cool."
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