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The Shepherd's Dog | 
 enlarge | Artist: Iron & Wine
Label: Sub Pop
Category: Music
List Price: $15.98
Buy New: $13.99
You Save: $1.99 (12%)
New (46) Used (9) from $10.25
Rating:  66 reviews
Sales Rank: 610
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.5 x 4.7 x 0.4
MPN: 710
UPC: 098787071023
EAN: 0098787071023
ASIN: B000TQZ7O4
Release Date: September 25, 2007
Shipping: Eligible for Super Saver Shipping
Availability: Usually ships in 24 hours
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| Tracks:
| • | Pagan Angel And A Borrowed Car | | • | White Tooth Man | | • | Lovesong Of The Buzzard | | • | Carousel | | • | House By The Sea | | • | Innocent Bones | | • | Wolves (Song Of The Shepherd's Dog) | | • | Resurrection Fern | | • | Boy With A Coin | | • | Devil Never Sleeps, The | | • | Peace Beneath The City | | • | Flightless Bird, American Mouth |
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| Editorial Reviews:
Amazon.com
Following a one-record hiatus to collaborate with Tucson collective Calexico on 2005's In The Reins, Iron & Wine (Sam Beam, that is) recoils to the earnestness and intimacy that embodied his first two records, his cerebral words and phrases tunneled beneath an orchestra of guitar, banjo, keyboards, and strings. More definitive than ever, the rhythm and percussion complement Beam's voice, a lulling, almost eerie tone that occasionally recalls John Lennon's early solo work, especially on delicate tracks like the bluesy "Wolves (Songs of the Shepherd's Dog" and "Carousel," with its veiled references to Iraq. Those raised on the lo-fi routine of Beam's earlier work will find rawness and sanctity in the more upbeat selections: The CSN folk-rock of "House by the Sea" and "Boy with a Coin" and the atmospheric beauty of "Pagan Angel and a Borrowed Car" and Shepherd's best song, "Lovesong of the Buzzard." With an organ swirling about and a slide guitar adding gentle flourishes, Beam concedes that "no one is the savior they would like to be," without realizing that, when it comes to fluent music and pristine storytelling, perhaps he is. --Scott Holter More from Iron & Wine 
Our Endless Numbered Days | 
The Creek Drank the Cradle | 
In the Reins, with Calexico | 
Woman King | 
The Sea & the Rhythm |
Product Description
Iron and Wine's last release (not including the collaborative In the Reins EP which featured songs by Iron and Wine's Sam Beam and performances by both Iron and Wine and Calexico together) was 2005's Woman King, a 6-song EP which distinguished itself from its predecessors with a deepening integration of spiraling, dense opuses with intimate confessionals. On The Shepherd's Dog this integration is complete. Sam Beam has confessed to finding spiritual inspiration in Tom Waits' piece de resistance, Swordfishtrombones, an album with which Waits upended his previous strategies and forged a new musical language for himself. Recorded by Sam with the assistance of longtime producer Brian Deck and engineer Colin Studebaker, The Shepherd's Dog succeeds in accomplishing a similar cathartic recasting of the artist's intentions. The arrangements here are kaleidoscopic and rich. "White Tooth Man" rocks with a desperate, menacing intensity while "Boy with a Coin", the album's first single, is darkly playful with a handclap hook tumbling under its cascading melody. The whole album breathes. Its seductive rhythms percolate and undulate, from the Psych-Bhangra-redux of "Pagan Angel and a Borrowed Car" to the album's last dance a waltz "Flightless Bird, American Mouth". Compositionally, it is Iron and Wine's most ambitious and accomplished recording to date. It's also the most satisfying.
Album Description
Iron and Wine's last release (not including the collaborative In the Reins EP which featured songs by Iron and Wine's Sam Beam and performances by both Iron and Wine and Calexico together) was 2005's Woman King, a 6-song EP which distinguished itself from its predecessors with a deepening integration of spiraling, dense opuses with intimate confessionals. On The Shepherd's Dog this integration is complete. Sam Beam has confessed to finding spiritual inspiration in Tom Waits' piece de resistance, Swordfishtrombones, an album with which Waits upended his previous strategies and forged a new musical language for himself. Recorded by Sam with the assistance of longtime producer Brian Deck and engineer Colin Studebaker, The Shepherd's Dog succeeds in accomplishing a similar cathartic recasting of the artist's intentions. The arrangements here are kaleidoscopic and rich.
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| Customer Reviews: Read 61 more reviews...
 A Big Fan September 10, 2008
This is what I would expect from Iron and Wine- another great album. They take chances- chances that always work for me. The combo of fabulous lyrics and great melodies remind me of a new artist Arrica Rose I just came across in her new CD La La Lost Both alternative folk with uniques styles.
Phenomenal album from an artist and genre I usually don't like July 25, 2008
I generally can't stand this whole singer/songwriter guy-with-a-guitar-and-no-energy move in music--so dull, packed with sensitive shoegazers lacking self-esteem and passion. But I've finally found a disc that I not only like, but can't seem to stop listening to. Iron and Wine, on this album, adeptly push the envelope of the genre, incorporating creative instrumentation, rhythms, catchy and digestible melodies, and even energy (!). Bravo, Sam Beam, you've converted a skeptic! Keep this up!
Sam Beam embraces the joy of a full band July 12, 2008
1 out of 1 found this review helpful
Sam Beam, the once upon a time one-man band behind the Iron and Wine moniker, has finally and fully embraced the sound of a full band, perhaps spurred on by his collaborations with Calexia since the previous album, 2005's "In the Reins", that tipped its toes in this water and previewed this evolution. The departure from the band's early work heard here is quite dramatic, yet satisfying.
"The Shepherd's Dog" (12 tracks, 50 min.) starts off with an exuberant "Pagan Angel and a Borrowed Car". "Lovesong of the Buzzard" is equally entrancing. Yes of course there are still 'quite' songs, such as the beautiful "Carousel" and "Resurrection Sound", but even in those songs you can feel a full band's embrace. Other highlights for me include "Wolves (Songs of the Shepherd's Dog)", which reminds me of Peter Gabriel's world music sound, just beautiful, and the brooding "Peace Beneath the City". In all, there really is no weak track on here, and it is (for me) the best album of Iron and Wine to date. Can't wait to see where these guys will go from here. If you are wondering where I hear their music, check out WOXY (BAM! The Future of Rock and Roll!), the internet-only but best source for indie-music in the country, bar none.
Iron and Wine was one of those bands that I had been wanting to see for a long time, particularly since this album came out last Fall. Well I finally did catch them last month at Bonnaroo, and they put on a fantastic 80 min. set, primarily bringing songs from "The Shepherd's Dog", and it was one of the best sets of Bonnaroo for me. (As an added bonus, my daughter bought a great Iron and Wine T-shirt for me for Father's Day while we were there!) Meanwhile, "The Shepherd's Dog" is highly recommended!
Not the Same old Sam...which is good June 29, 2008
1 out of 1 found this review helpful
Of Iron & Wine's three full-length albums, I probably like this one least. I don't regret purchasing it in the slightest; you just have to admit it was up against some stiff competition. (In the interest of full disclosure, Woman King is my favorite I&W Recording) There are some truly groundbreaking things on here, particularly "White Toothed Man," "Flightless Bird, American Mouth," "Carousel," and "Boy With a Coin." Sam Beam is digging deeper into his bag of studio-experimentation tricks, leading me to wonder if it'll ever have a bottom. The instrumentation gets more varied and exotic (I believe I heard a pedal-steel guitar through a wah-wah on Boy with a Coin! Coupled with that flamenco-y beat, no less).
Even so, I won't name names, but I did find a few clunkers on here. Inevitable, I guess, given the wide amount of field he's covering. Maybe years on I will give 'em another listen and feel differently. I will say that each song has its own unique texture. And even the misses are not THAT bad. I will say that I think "The Devil Never Sleeps" would be great if someone else covered it. I love Sam Beam's voice, but he seems out of place amidst the rollicking piano and stompin' beat.
All in all, I liked it a lot. Worth picking up for just the four I mentioned, as well as several other solid tracks. Just keep an open mind, and don't expect the same old sam.
Wow!! June 16, 2008
This is my first cd by Iron and Wine, and all I can say is WOW! This cd is great. A perfect blend of instruments and vocals. I will be purchasing the "In the Reigns" LP soon!
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