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Seesaw (1973 Original Broadway Cast)

Seesaw (1973 Original Broadway Cast)

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Artist: Dorothy Fields
Creators: Cy Coleman, Ken Howard
Label: Drg
Category: Music

Buy New: $9.98



New (32) Used (11) Collectible (1) from $4.98

Rating: 4.5 out of 5 stars 5 reviews
Sales Rank: 24137

Format: Cast Recording
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.3 x 4.9 x 0.4

MPN: 6108
UPC: 021471610826
EAN: 0021471610826
ASIN: B000000PG6

Release Date: October 25, 1990
Shipping: Eligible for Super Saver Shipping
Availability: Usually ships in 24 hours

Tracks:

  • See Saw
  • My City
  • Nobody Does It Like Me
  • In Tune
  • Spanglish
  • Welcome To Holiday Inn
  • You're A Lovable Lunatic
  • He's Good For Me
  • Ride Out The Storm
  • Entr'Acte
  • We've Got It
  • Poor Everybody Else
  • Chapter 54, Number 1909
  • Seesaw Ballet
  • It's Not Where You Start
  • Finale: I'm Way Ahead & Seesaw
  • Bows: It's Not Where You Start

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  • On The Twentieth Century (1978 Original Broadway Cast)
  • Promises, Promises (1968 Original Broadway Cast)
  • A Day In Hollywood, A Night In The Ukraine (1980 Original Broadway Cast)

Customer Reviews:

4 out of 5 stars It deserved better   July 5, 2007
 2 out of 2 found this review helpful

I've often wondered if I'm the only person alive who saw "Seesaw!" It's been sadly neglected. Michele Lee was wonderful, and it was a great introduction to a guy named Tommy Tune.. The music is very enjoyable. Highly recommended for Broadway show lovers!


5 out of 5 stars SEESAW (1973 ORIGINAL BROADWAY CAST)   January 27, 2007
 1 out of 1 found this review helpful

I SAW THIS SHOW AND LOVED EVERY MOMENT. I TILL REMEMBER HOW MUCH FUN I HAD. I WAS IN COLLEGE AT THE TIME AND HAD THE GREAT OPPORTUNITY TO SEE IT AGAIN. THE SCORE IS WONDERFUL, TUNEFUL AND MEMORABLE.


4 out of 5 stars Michele Lee sings Cy Coleman's most underrated score   January 28, 2004
 3 out of 5 found this review helpful

SEESAW was a musical version of William Gibson's rueful comedy-drama TWO FOR THE SEESAW, which originally starred Anne Bancroft. For the musical version, the leading lady was the delightful Michele Lee (BRAVO GIOVANNI) who earned a Tony nomination for her performance.

The Cy Coleman-Dorothy Fields score includes great numbers like "Nobody Does It Like Me", "In Tune" and the 11 o'clock number "Poor Everybody Else".

The supporting cast includes the always-reliable Tommy Tune, as well as Ken Howard, Cecelia Norfleet and LaMonte DesFontaines.

Highly-recommended for fans of Broadway musicals as well as the incantory Miss Michele Lee. [DRG CDRG6108]


4 out of 5 stars This Seesaw is merely quirky fun   August 22, 1999
 6 out of 6 found this review helpful

Cy Coleman's Seesaw overture is a wonderful start to a wonderfully breezy CD. Most of the chorus numbers are very poor ( Spanglish, Ride Out the Storm), but the spotlighted Michele Lee, Ken Howard, and Tommy Tune are preserved fantastically. Michele Lee's husky voice is capable of making your heart soar and break at the same time. Her comedic timing is wonderful (Welcome to Holiday Inn), her down-on-her-luck song is perfection(Nobody Does It Like Me), and Poor Everybody Else will have you rooting for Michele instantly. Ken Howard is truly a Lovable Lunatic. And Tommy Tune's Tony Award winning performance is captured here with "It's Not Where You Start." It is typically Coleman music, but he is wonderfully aided with Dorothy Fields's lyrics. If you can find it for a discount, don't resist!


5 out of 5 stars THE GREATEST THEATRICAL SCORE!   January 3, 1999
 9 out of 10 found this review helpful

SEESAW is my favorite show. The score is absolutely brilliant. Cy Coleman is, in my opinion, the greatest Broadway composer and Seesaw really portrays that. Michele Lee has the perfect husky/raspy voice and Tommy Tune is fantastic. Ken Howard is a great Jerry Ryan, and really shows off Dorothy Fields' beautiful lyrics in his solo number, "You're a Lovable Lunatic." The lyrics are witty and the tunes range from the upbeat and wacky "It's Not Where You Start" to Gittel's mellow number, "He's Good For Me." The score really fits the story line, and unlike Coleman's other early works (i.e. Little Me, Sweet Charity, Wildcat) the songs are not all big jazzy vaudeville numbers (Little Me and the others are still great, just different). I would have loved to see this on the stage, but at least I have the CD! This is what Broadway's all about!

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