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Carousel (1956 Film Soundtrack) | 
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| Artists: Shirley Jones, Claramae Turner, Robert Rounseville, Cameron Mitchell, Barbara Ruick, Richard Rodgers, Oscar Hammerstein Ii, Gordon Macrae
Label: Angel Records
Category: Music
List Price: $16.98
Buy New: $13.99
You Save: $2.99 (18%)
New (39) Used (8) Collectible (3) from $8.75
Rating:  32 reviews
Sales Rank: 12347
Format: Soundtrack
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
MPN: 27352
UPC: 724352735228
EAN: 0724352735228
ASIN: B00005A7XD
Release Date: March 13, 2001
Shipping: Eligible for Super Saver Shipping
Availability: Usually ships in 24 hours
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| Tracks:
| • | Introduction | | • | Main Title: The Carousel Waltz | | • | You're A Queer One, Julie Jordan | | • | When I Marry Mr. Snow | | • | If I Loved You | | • | June Is Bustin' Out All Over | | • | June Is Bustin' Out All Over Ballet | | • | Soliloquy | | • | Blow High, Blow Low | | • | When The Children Are Asleep | | • | A Real Nice Clambake | | • | Stonecutters Cut It On Stone | | • | What's The Use Of Wond'rin' | | • | You'll Never Walk Alone | | • | Ballet | | • | If I Loved You (reprise) | | • | You'll Never Walk Alone (Finale) | | • | Carousel Waltz (LP version) |
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| Editorial Reviews:
Amazon.com
Richard Rodgers always considered Carousel his favorite score, even though it didn't generate the number of popular hits of some of the other shows he produced with lyricist Oscar Hammerstein II. Their adaptation of the Ferenc Molnar play Liliom is marked by three especially sublime moments. "The Carousel Waltz," Rodgers's alternative to the traditional Broadway overture, serves as an orchestral backdrop to the opening scene and is one of the best miniatures ever written for the theater. "If I Loved You," which establishes the romance of carnival barker Billy Bigelow (Gordon MacRae, a late replacement for Frank Sinatra) and nice girl Julie Jordan (Shirley Jones), is a musical minidrama in which the pair's discussion of how they are not in love reveals just how much they are in love. "Soliloquy" is Billy's powerful solo that foreshadows the action to come in Act II. Add the inspirational anthem "You'll Never Walk Alone," and you have Rodgers and Hammerstein's most extraordinary, near-operatic score. On the soundtrack for the 1956 film, MacRae and Jones are in exceptional voice (following their success in 1955's Oklahoma) and the orchestra sounds glorious, but unfortunately some of the numbers were shortened, most notably "If I Loved You." Extensive production notes, an interview with Jones, and a synopsis are included. --David Horiuchi
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| Customer Reviews: Read 27 more reviews...
 So perfect November 5, 2007
4 out of 5 found this review helpful
My father beat me once for a misdeed, and I resolved then
and there that Iwould never cry under his beltings again.
He whipped me 'til his belt broke and I would not give him the satisfaction of one tear.
But this music...and this movie... draws out what
the belt could not. It gets me every time. I fight it and the
tears well up on their own...what a perfect tragedy this movie
is, how haunting the music. Gordon McRae was such an artist.
His singing is perfect and inspired in these songs --- and
Shirley Jones complements him so well. I fell in love with her
Julie at first sight. If you haven't got this music or this
movie, you are missing out on one of life's greatest treasures.
Complete Version October 2, 2007
1 out of 2 found this review helpful
Since the 1970's newer copies of Carousel Have tracks that are edited
Thank God this version has a lot more music including the complete seven minute version of The Carousel Waltz I believe the movie itself doesn't play the whole waltz
Gordon McRae At His Finest August 23, 2007
1 out of 1 found this review helpful
Ahhh...absolutely the most Golden sounds from Gordon McRae. Makes you gain a whole new appreciation of this man's incredible voice. He seems to know exactly how Rodgers & Hammerstein wanted these songs to be sung.
Only soundtrack more comparable is "Okalahoma."
AWESOME!! May 12, 2007
LOVE SOUND TRACTS FROM OLD MOVIES - SING ALONGS AND THE BEST ESPECIALLY WHEN YOU ARE TRAVELING AND CAN SING LOUD. IT IS A KEEPER
 MacRae and Jones soar in this tragic R&H musical February 11, 2007
8 out of 8 found this review helpful
This film adaptation of Carousel came shortly after the Oklahoma! film and reunited Gordon MacRae and Shirley Jones. Although the film was not well-received at the box office, the soundtrack shows MacRae, Jones and the superb cast performing their roles to their heart's content. Their performance helps bring out the pathos in this tragic R&H musical, which Rodgers himself considered his favourite of all his works.
MacRae shines vocally as Billy Bigelow, bringing an open-hearted musicality and sincerity to his stout-hearted portrayal. MacRae stands out in Billy's pivotal Soliloquy, which some reviewers have considered one of the finest vocal performances of the 20th century. He is well-partnered by Shirley Jones, who lends her tender voice and personality to her portrayal as Julie. Listen to the chemistry they exude during the pivotal If I Loved You duet, as if they're overcoming their shyness and drawing sustenance from each other with their love. The supporting cast also gives its all in performing their roles. Claramae Turner's hearty Nettie brims with sincerity, warmth and tenderness, and she leads a rousing rendition of June is Bustin' Out All Over and renders You'll Never Walk Alone touchingly. Barbara Ruick and Robert Rounseville are superb as Carrie and Mr. Snow, although I admit I would have liked a little more humour. I also admit I would have liked Cameron Mitchell as Jigger to sound more sinister, like Fisher Stevens did in the 1994 Broadway revival recording. But even as it is, everyone sings gloriously and is given sumptuous backing from Alfred Newman's superb arrangements and the 20th-Century Fox Orchestra, when it shines out in the ballets.
If I'm adding to the praise of these critic-proof performance, you'll wonder, why am I giving only 4 stars? Well, it's because the extra sound effects from the unreleased sequences tend to jar after a while. I know some of you are complaining that the dance sequences are plagued by extraneous sound effects and noise. I share the same feelings too and also wish that the producers had utilised the original studio pre-recordings for a sumptuous listening experience. However, let us at least be grateful that Didier Deutsch and his production team have made these unreleased sequences available on a soundtrack CD reissue. At least it's a step in the right direction before the entire canon of R&H film soundtracks (yes, including South Pacific and The Sound of Music) gets its due as deluxe 2-CD sets, complete with underscore.
However, don't let this gripe dissuade you from buying this soundtrack. It offers a complete musical experience that one could only dream of in the previous CD reissues of the soundtrack. And it demonstrates the element that Rodgers & Hammerstein were discovering in their musicals.
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