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Keep Telling Myself It's Alright

Keep Telling Myself It's Alright

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Artist: Ashes Divide
Label: Island
Category: Music

Buy New: $13.98



New (56) Used (42) from $2.34

Rating: 4.0 out of 5 stars 33 reviews
Sales Rank: 4946

Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 4.9 x 0.4

MPN: 001077002
UPC: 602517618459
EAN: 0602517618459
ASIN: B0015D3YZY

Release Date: April 8, 2008
Shipping: Eligible for Super Saver Shipping
Promotion: Save $10.00 when you spend $50.00 or more on Qualifying Items offered by Amazon.com. Enter code BMLSAVES at checkout. Terms and Conditions
Availability: Usually ships in 24 hours

Tracks:

  • Stripped Away
  • Denial Waits
  • Too Late
  • Forever Can Be
  • Defamed
  • Enemies
  • A Wish
  • Ritual
  • The Stone
  • The Prey
  • Sword

Similar Items:

  • Division
  • Indestructible
  • Scars and Souvenirs
  • Saving Abel
  • Ghosts I - IV

Editorial Reviews:

Album Description
"The Stone" debut single by ASHES dIVIDE achieves rock radio's rarest double play, as it is named Most-Added at the Active Rock and Modern Rock formats for the second week in a row - and debuts inside the Top 40 at both formats: #24-bullet on the Active Rock side and #25-bullet at Modern Rock.

"The Stone" is the first single from Keep Telling Myself It's Alright, the first album from ASHES dIVIDE, which arrives in stores April 8th on Island Records, a division of Island Def Jam Music Group. ASHES dIVIDE is the new band formed by lead guitarist, singer and songwriter Billy Howerdel - founder/producer of multi-platinum group A Perfect Circle, the band he led with Tool frontman Maynard Keenan through two platinum and one gold record.

Keep Telling Myself It's Alright, Howerdel's long-awaited first solo project, has been the subject of countless blogs and chatter at his website for a year and a half. In last week's Entertainment Weekly, "Your Next Obsession" polled film and television music supervisors on upcoming album picks, and Dana Sand (of Steve Carell's Dan In Real Life) commended ASHES dIVIDE: "So very dreamy rock with a '90s feel."

Howerdel produced and engineered the new album sessions in Los Angeles, playing guitar, bass, and keyboard parts. Longtime collaborator Danny Lohner (APC, Nine Inch Nails) helped out with the recording process, while drummer Josh Freese (APC), and Keenan's son Devo appear on the album. Other contributors include Johnette Napolitano (Concrete Blonde), Matt Skiba (Alkaline Trio), and Paz Lenchantin. Mixing took place in London by innovative Brit producer Alan Moulder, remotely monitored by Howerdel back in L.A. Moulder is known for his work with Nine Inch Nails, Depeche Mode, My Bloody Valentine, and fellow Island band the Killers' two albums.

New Jersey-born Billy Howerdel is a self taught musician who started out doing theatrical stage lighting. He took to the road as a guitar technician for many bands, among them David Bowie, Guns N' Roses, Nine Inch Nails, Smashing Pumpkins, and Tool. Howerdel and Keenan became friends years earlier while crossing paths on tour. But it was not until the recording sessions for Tool's 1996 album Aenima that the two planted the seeds which would become A Perfect Circle circa 1999.

APC released three groundbreaking and critically acclaimed albums on Virgin Records: their RIAA platinum debut, Mer de Noms (May 2000) which entered at #4 Soundscan with 188,000 copies and placed three songs on the Modern Rock and Mainstream Rock charts ("3 Libras," "Judith," and "The Hollow"); the platinum Thirteenth Step (September 2003) which debuted at #2 Soundscan on 231,000 first week sales (with the #1 Rock track and video "Weak and Powerless," followed by "The Outsider" and "Blue"); and the RIAA gold eMOTIVe (November 2004), an overtly political album released on Presidential election day, primarily cover versions of political material including John Lennon's "Imagine," Led Zeppelin's "When the Levee Breaks," Marvin Gaye's "What's Going On," Black Flag's "Gimmie Gimmie Gimmie," and more. Two weeks later, the CD + DVD package aMOTION was released, a collection of all their video clips on one disc, and nine remixes of songs on the other disc.


Customer Reviews:   Read 28 more reviews...

2 out of 5 stars Don't Be A Square   September 23, 2008
 2 out of 3 found this review helpful

When Billy Howerdel formed A Perfect Circle, he wanted a woman to sing the words. He got Maynard Keenan of Tool. That might have been a mistake, and possibly a regret in Howerdel's book at this point: Keenan's distinctive voice drew the support of droves of Tool faithful, but with the Tool faithful came the assumptions that A Perfect Circle was a "side project of Maynard James Keenan." With expectations set high by the brilliant and unique guitar riffage present on 2000's Mer de Noms, A Perfect Circle's follow-up Thirteenth Step failed to make the same impression outside of a spare few tracks. What it boiled down to was that they had essentially become a Tool side project at that point, sonically if not in fact.

"Keep Telling Myself It's Alright" is Howerdel's long, long-awaited new record, ostensibly free of the influence of Tools. This time around, he's taking the Reznor approach and doing all the heavy musical lifting himself: composition, guitar, and vocals. Can he stand on his own two feet?

Not for very long. While Howerdel's much-lauded skill in creating guitar-borne survives in spots, nothing here is immediately gripping like the spidery, harmonic-laden riff of "The Hollow"; the attention-demanding power chug of "Judith"; or the whisper-sung, electronic jungle catharsis of "Thinking of You." Unfair to judge the output of one band against another? Perhaps, but like a hard drug, classic A Perfect Circle haunts the dreams of thousands. We collectively breathed a sigh of relief at the debut of that band's cerebral brand of hard rock, much needed at a time when Limp Bizkit and Papa Roach leeched radio airplay.

"Stripped Away" is a passable opener and one of the better Ashes Divide songs, but its simplistic, bastardized Eastern riff still comes off rather one-dimensional in the end. It's the combination of evolving instrumental interplay and a suckerpunch chorus that makes first single "The Stone" the head of the pack---that, and a vocal melody that doesn't strain Howerdel's admittedly paper-thin voice too far out of his range. The rest of the tracks mostly fall short of expectations: "The Prey" sounds like a purloined Queens of the Stone Age riff; the morose "Denial Awaits" is a perfect example of why Howerdel should continue to hide behind a more capable vocalist, if these are the types of songs he has stored up; and "Defamed" is just way too... happy sounding and bland modern rock for comfort.

Perhaps it's simply a case of rediscovering sure footing. Mer de Noms exhibited the results of years of playing roadie for top acts like Smashing Pumpkins, Faith No More, Nine Inch Nails and Tool while recording ideas in secrecy on the side.

As the old saying goes, "A lifetime for the debut, two years for the follow-up." Keep Telling Myself It's Alright feels rushed and unfinished---if it all crackled with the fiery energy of "The Stone," or better yet, some of the songs Howerdel thought up while he was only allowed to tune guitars on stage, it would probably have landed a spot on more best of lists. Unfortunately, it's little more than a disappointing mess of barely-above average stadium rock.



5 out of 5 stars great album   August 20, 2008
every, and I mean EVERY, song is good to amazing. If I had to choose a favorite, right now it would be the Sword. It was Forever Can Be, Ritual, Enemies, Too Late, Stripped Away. This is definitely my favorite album of 2008. Billy's got a great voice, this album deserves more recognition.


5 out of 5 stars A new level of brilliance from Billy Howerdel   August 14, 2008
The first song I ever heard from ASHES dIVIDE was The Stone, but listening through the album for the first time the song that jumped out and instantly became "mine" was Enemies, it simply wraps you up in sound, creating a whole new world for the listener.

In total ASHES dIVIDE has made a rock solid album, lead on by Billy Howedal's amazing vocals. The strings and pinao opening of the Sword is beauiful, and the lyrics are of the kind that makes you stop and listen.

Currently touring the USA, we can only hope they will move over to Europe too eventually. I highly reccommend you buy the album and take part in the new leve of brilliance from Billy Howerdal.

[...]



4 out of 5 stars Great effort from a very talented muisian!   July 7, 2008
 3 out of 3 found this review helpful

I first heard this band just before going to an STP show that they were opening up for. When I first heard the CD prior to the show, I wasn't very impressed, dismissing them as an acceptable opening band.

After hearing them live, and listening to the CD a few more times, this album really grew on me. The songs really have some depth, both musically & lyrically, and each time I listen to them they just get better.

Anyone dismissing Billy Howerdel's first solo effort as weak follow-up to A Perfect Circle, or saying that it's not as edgy as that effort clearly hasn't listened to this album. Billy has done a great job on vocals within the context of the music, and it's unfair to dismiss his vocal abilities compared to Maynard's (VERY FEW people could compare to that in this genre of music). Take this for what it is without comparing it to anything else: a great rock album with some real substance.

I can't wait till ASHES dIVIDE starts working on their next one!



4 out of 5 stars It's Alright   July 6, 2008
 3 out of 6 found this review helpful

Never being a big fan of 'Tool' or 'A Perfect Circle', I would have never really even given this a chance. I kind of fell upon it while searching on the internet and listened to a few clips and actually liked it. While others love 'Tool' and 'A Perfect Circle', I just can't get past Maynard Keenan's voice. And that includes other groups out there too. While I might like the musical aspect I just can't get past the voice and Keenan's is one that I just don't like and the use of the f word just kills any song by means of the lyricist lack of maturity in song writing and not being able to come up with anything better. With 'Ashes Divide' Howerdel delivers a somewhat moody album, but with enough upbeat on the music end to keep it interesting. Is there anything here that truly blows you away. Probably not, but each track delivers to keep you interested. For me, I like this album, but I don't have any preconceived notions on what it should or shouldn't sound like and maybe that's a good thing. I can listen to this on its own and enjoy it without saying it should sound like 'A Perfect Circle' which I wouldn't want because then why bother. Howerdel has a great voice even though others will disagree with me here, but that's my listening opinion. I like it and, for me, that's all that matters. I love the new Filter album too while others don't because I'm not trying to make it sound like their first album. Get this and enjoy.

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